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Writing Interventions
Click HERE to download the entire RtI Manual as an interactive PDF.
Least Intensive Interventions
Moderate/Intensive Interventions
Least Intensive Interventions |
Mnemonic Device
Teach the student strategies to write lengthier stories with organized content. Use a mnemonic
device such as “WWW, What = 2, How = 2” which translates into a story grammar checklist:
WHO is the main character; WHERE the story takes place; WHEN the story occurs; WHAT
the main character(s) do or plan to do; WHAT happens next; HOW the Story oncludes; and
How the character(s) feel about their experiences.
Courtesy of:
http://www.interventioncentral.org |
Journaling
Encourage the student to write every day to increase written expression skills. Short daily
writing assignments can build students’ writing fluency and make writing a more motivating
activity. Have the student self-monitor and graph his/her progress, which will increase his/her
motivation and writing fluency as well. For example, have the student count up the number of
words he/she has written in the daily journal entry (whether spelled correctly or not) and have
him/her record.
Courtesy of:
http://www.interventioncentral.org |
Outline
Teach the student how to build an outline for his/her writing. There are several methods for
doing this that may help him/her organize and plan what to write. He/She can build an outline
by talking through the topic with another student first. After the conversation, the student can
jot down an outline from memory to capture and record main ideas of the discussion.
Courtesy of:
http://www.interventioncentral.org |
Proofreading
Teach the student to proofread by using a memory strategy such as SCOPE proofreading
elements. (1) Spelling: Are my words spelled correctly; (2) CAPITALIZATION: Have I
capitalized all appropriate words, including first words of sentences, proper nouns and proper
names?; (3) ORDER or words: Is my word order (syntax) correct?; (4) PUNCTUATION: Did
I use end punctuation and other punctuation marks appropriately?; (5) EXPRESSION of
complete thoughts: Do all of my sentences contain a noun and verb to convey a complete
thought? The student can pair off with another student and be encouraged to evaluate their
own writing samples using SCOPE.
Courtesy of:
http://www.interventioncentral.org |
Memorize a Story Grammar Checklist
(Reid & Lienemann, 2006)
Students write lengthier stories that include greater detail when they use a memorized strategy to
judge their writing-in-progress. These young writers are taught a simple mnemonic device with
7 elements: ‘WWW, What=2, How=2’. This mnemonic translates into a story grammar
checklist: WHO the main character is; WHERE the story takes place; WHEN the story occurs;
WHAT the main character(s) do or plan to do; WHAT happens next; HOW the story
concludes; and HOW the character(s) feel about their experiences. Students are taught this
strategy through teacher demonstration, discussion, teacher modeling and student use of the
strategy with gradually fading teacher support. When students use the ‘WWW, What=2, How
= 2’ tactic independently, they may still need occasional prompting to use it in their writing.
NOTE: Teachers can apply this intervention idea to any genre of writing (e.g., persuasive
essay), distilling its essential elements into a similar short, easily memorized checklist to teach to
students.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Fluency: Have Students Write Every Day
(Graham, Harris & Larsen, 2001)
Short daily writing assignments can build student writing fluency and make writing a more
motivating activity. For struggling writers, formal writing can feel much like a foreign language,
with its own set of obscure grammatical rules and intimidating vocabulary. Just as people learn
another language more quickly and gain confidence when they use it frequently, however, poor
writers gradually develop into better writers when they are prompted to write daily and receive
rapid feedback and encouragement about that writing. The teacher can encourage daily writing
by giving short writing assignments, allowing time for students to journal about their learning
activities, requiring that they correspond daily with pen pals via email or even posting a question
on the board as a bell-ringer activity that students can respond to in writing for extra credit.
Short daily writing tasks have the potential to lower students’ aversion to writing and boost their
confidence in using the written word.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Fluency: Self-Monitor and Graph Results to Increase
Writing Fluency
(Rathvon, 1999)
Students gain motivation to write through daily monitoring and charting of their own and classwide
rates of writing fluency. At least several times per week, assign your students timed periods
of ‘freewriting’ when they write in their personal journals. Freewriting periods should include the
same amount of time each day. After each freewriting period, direct each student to count up the
number of words he or she has written in the daily journal entry (whether spelled correctly or
not). Next, tell students to record their personal writing-fluency score in their journal and also
chart the score on their own time-series graph for visual feedback. Then collect the day’s writing-fluency
scores of all students in the class, sum those scores and chart the results on a large timeseries
graph posted at the front of the room. At the start of each week, calculate that week’s goal
of increasing total class words written by taking last week’s score and increasing by five percent.
At the end of each week, review the class score and praise students if they have shown good
effort.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Instruction: Essentials of Good Teaching
Benefit Struggling Writers
(Gersten, Baker, & Edwards, 1999)
Teachers are most successful in reaching students with writing delays when their instruction emphasizes the full writing process, provides strategy sheets, offers lots of models of good writing and gives students timely editorial feedback. Good instructors build their written
expression lessons around the three stages of writing – planning, writing and revision – and make
those stages clear and explicit. Skilled instructors also provide students with ‘think sheets’ that
outline step-by-step strategies for tackling the different phases of a writing assignment (e.g.,
taking concise notes from research material; building an outline; proofreading a draft). Students
become stronger writers when exposed to different kinds of expressive text, such as persuasive,
narrative and expository writing. Teachers can make students more confident and self-sufficient
as writers when they give them access to plentiful examples of good prose models that the
student can review when completing a writing assignment. Finally, strong writing teachers
provide supportive and timely feedback to students about their writing. When teachers or
classmates offer writing feedback to the student, they are honest but also maintain an
encouraging tone.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Motivation: Stimulate Interest With an
Autobiography Assignment
(Bos & Vaughn, 2002)
Assigning the class to write their own autobiographies can motivate hard-to-reach students who
seem uninterested in most writing assignments. Have students read a series of autobiographies
of people who interest them. Discuss these biographies with the class. Then assign students to
write their own autobiographies. (With the class, create a short questionnaire that students can
use to interview their parents and other family members to collect information about their past.)
Allow students to read their finished autobiographies for the class.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Organization: Build an Outline by Talking
Through the Topic
(The Writing Center, University of North Carolina at Chapel Hill, n.d./ 23
December 2006)
Students who struggle to organize their notes into a coherent outline can tell others what they
know about the topic – and then capture the informal logical structure of that conversation to
create a working outline. The student studies notes from the topic and describes what he or she knows about the topic and its significance to a listener. (The student may want to audio-record
this conversation for later playback.) After the conversation, the student jots down an outline
from memory to capture the structure and main ideas of the discussion. This outline ‘kernel’ can
then be expanded and refined into the framework for a paper.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Organization: ‘Reverse Outline’ the Draft
(The Writing Center, University of North Carolina at Chapel Hill, n.d./ 23
December 2006)
Students can improve the internal flow of their compositions through ‘reverse outlining. ’ The
student writes a draft of the composition. Next, the student reads through the draft, jotting
notes in the margins that signify the main idea of each paragraph or section. Then the student
organizes the margin notes into an outline to reveal the organizational structure of the paper.
This ‘reverse outline’ allows the student to note whether sections of the draft are repetitious, are
out of order or do not logically connect with one another.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Planning: Brainstorm to Break the ‘Idea’ Logjam
(The Writing Center, University of North Carolina at Chapel Hill, n.d./ 28
December 2006)
Brainstorming is a time-tested method that can help students to generate motivating topics
for writing assignments and uncover new ideas to expand and improve their compositions. Here
are four brainstorming strategies to teach to students: FREEWRITING: The student sets a
time limit (e.g., 15 minutes) or length limit (e.g., one hand-written page) and spontaneously writes
until the limit is reached. The writer does not judge the writing but simply writes as rapidly as
possible, capturing any thought that comes to mind on the topic. Later, the student reviews the
freewriting to pick out any ideas, terms or phrasing that might be incorporated into the writing
assignment. LISTING: The student selects a topic based on an idea or key term related to the
writing assignment. The writer then rapidly brainstorms a list of any items that might possibly
relate to the topic. Finally, the writer reviews the list to select items that might be useful in the
assigned composition or trigger additional writing ideas. SIMILES: The student selects a
series of key terms or concepts linked to the writing assignment. The student brainstorms, using
the framework of a simile: ” _1_ is like _2_.” The student plugs a key term into the first blank and
then generates as many similes as possible (e.g., “A SHIP is like a CITY ON THE SEA.”).
REFERENCES: The student jots down key ideas or terms from the writing assignment. He
or she then browses through various reference works (dictionaries, encyclopedias, specialized
reference works on specific subjects) looking randomly for entries that trigger useful ideas.
(Writers might try a variation of this strategy by typing assignment-related search terms into
GOOGLE or another online search engine.)
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Proofreading: Teach A Memory Strategy
(Bos & Vaughn, 2002)
When students regularly use a simple, portable, easily memorized plan for proofreading, the
quality of their writing can improve significantly. Create a poster to be put up in the classroom
summarizing the SCOPE proofreading elements: (1) SPELLING: Are my words spelled
correctly; (2) CAPITALIZATION: Have I capitalized all appropriate words, including first
words of sentences, proper nouns, and proper names?; (3) ORDER of words: Is my word order
(syntax) correct?; (4) PUNCTUATION: Did I use end punctuation and other punctuation
marks appropriately? (5) EXPRESSION of complete thoughts: Do all of my sentences contain a
noun and verb to convey a complete thought? Review the SCOPE proofreading steps by
copying a first-draft writing sample onto an overhead and evaluating the sample with the class
using each item from the SCOPE poster. Then direct students to pair off and together evaluate
their own writing samples using SCOPE. When students appear to understand the use of the
SCOPE plan, require that they use this strategy to proofread all written assignments before
turning them in.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Proofreading: Use Selective Proofreading
With Highlighting of Errors
(Frus, n.d./18 November 2006)
To prevent struggling writers from becoming overwhelmed by teacher proofreading corrections,
focus on only one or two proofreading areas when correcting a writing assignment. Create a
student ‘writing skills checklist’ that inventories key writing competencies (e.g., grammar/syntax,
spelling, vocabulary, etc.). For each writing assignment, announce to students that you will
grade the assignment for overall content but will make proofreading corrections on only 1-2 areas
chosen from the writing skills checklist. (Select different proofreading targets for each
assignment matched to common writing weaknesses in your classroom.) Also, to prevent
cluttering the student’s paper with potentially discouraging teacher comments and editing
marks, underline problems in the student’ text with a highlighter and number the highlighted
errors sequentially at the left margin of the student paper. Then (if necessary) write teacher
comments on a separate feedback sheet to explain the writing errors. (Identify each comment
with the matching error-number from the left margin of the student’s worksheet.) With fewer
proofreading comments, the student can better attend to the teacher feedback. Also, even a
heavily edited student assignment looks neat and tidy when teachers use the
highlighting/numbering technique, preventing students from becoming disheartened at the site
of an assignment scribbled over with corrective comments.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Spelling: Leverage the Power of Memory
Through Cover-Copy-Compare
(Murphy, Hern, Williams, & McLaughlin, 1990)
Students increase their spelling knowledge by copying a spelling word from a correct model and
then recopying the same word from memory. Give students a list of 10-20 spelling words, an
index card and a blank sheet of paper. For each word on the spelling list, the student (1) copies
the spelling list item onto a sheet of paper, (2) covers the newly copied word with the index card,
(3) writes the spelling word again on the sheet (spelling it from memory), and (4) uncovers the
copied word and checks to ensure that the word copied from memory is spelled correctly. If that
word is spelled incorrectly, the student repeats the sequence above until the word copied from
memory is spelled correctly and then the student moves to the next word on the spelling list.
Courtesy of:
http://www.jimwrightonline.com/php/interventionista/interventionista_intv_
list.php?prob_type=writing |
Wright Writing Skills Checklist

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Moderate/Intensive Interventions |
Integrated Writing Instruction
The instructor follows a uniform daily instructional framework for writing instruction. First, the
instructor checks in with students about the status of their current writing projects; then teaches
a mini-lesson; next allows the group time to write and to conference with peers and the teacher;
and finally arranges for the group to share or publish their work for a larger audience.
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Status-checking. At the start of the writing session, the instructor quickly goes around the room, asking each student what writing goal(s) he or she plans to accomplish that day. The instructor records these responses for all to see.
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Mini-Lesson. The instructor teaches a mini-lesson relevant to the writing process.
Mini-lessons are a useful means to present explicit writing strategies (e.g., an outline for drafting an opinion essay), as well as a forum for reviewing the conventions of writing. Mini-lessons should be kept short (e.g., 5-10 minutes) to hold the attention of the class.
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Student Writing. During the session, substantial time is set-aside for students to
write. Their writing assignment might be one handed out by the instructor that day or
part of a longer composition (e.g., story, extended essay) that the student is writing and
editing across multiple days. When possible, student writers are encouraged use
computers as aids in composing and editing their work. (Before students can compose efficiently on computers, of course, they must have been trained in keyboarding and use of word-processing software).
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Peer & Teacher Conferences. Writers need timely, gentle, focused feedback from
readers of their work in order to improve their compositions. At the end of the daily
writing block, the student may sit with a classmate to review each other's work, using a
structured peer editing strategy. During this discussion time, the teacher also holds brief
individual conferences with students to review their work, have students evaluate how successfully they completed their writing goals for the day and hear writers' thoughts about how they might plan to further develop a writing assignment.
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Group Sharing or Publishing. At the end of each session, writing produced that day
is shared with the whole class. Students might volunteer to read passages aloud from
their compositions. Another method of sharing might be for the students to post their
work on the classroom wall or bulletin board for everyone to read and respond to.
Periodically, polished student work might be displayed in a public area of the school for all to read, published in an anthology of school writings, read aloud at school assemblies or published on the Internet.
Courtesy of:
http://www.interventioncentral.org/htmdocs/interventions/writing/intwriting.php |
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